
There's a slow patch in the middle where about five times in a row we watch fierce she-wolf Etain almost catch our heroes, they barely escape, their numbers thinned a little each time, that grows redundant. And there are way too many Lord of the Rings style "helicopter swooping over our heroes walking through mountain passes" shots crammed in between.
But with Marshall these always somehow feel like knowing winks - not in an obnoxious way either - and there's one panoramic shot of our heroes popping up groundhog-like from behind a hilltop that's got to be a straight-up gag. So I think it's safe to say he's having fun with us. You get the feeling watching this - or Doomsday or Dog Soldiers or (most successfully) The Descent for that matter - that Marshall's tapping straight into his own id, spilling out fun junk he's always wanted to see. It ain't art - although some of it's very pretty to look at - but it is entertainment.

It's nothing new - although there were some things I'd never seen before, hello hot stomach stew - and you've got to be in the right mood for it. But I was, and I found myself fighting the urge to shake a manly fist at the screen and growl a deeply manly growl. Testosterriffic!
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1 comment:
Saw Centurion at the Seattle International Film Festival a few weeks ago and loved it.
I don't know why it's not getting more press? I hadn't heard anything about it before the festival (except maybe reading about it here on your site?), and during SIFF it was barely promoted. And in these past weeks I've been telling people about it and not even my film nerds have heard much about it.
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